![]() I can see how that would totally sound wrong to someone's ears who hadn't heard it at the time (much the way I feel about Loop's Heaven's End in retrospect). The production on What Does Anything Mean.I'm glad someone mentioned that. I'll have to check that album out for sure. I was delighted to read they'd covered "Moonage Daydream" - I do believe that's my favorite Bowie song and I'm not a huge Bowie fan. ![]() Wow, it's good to be home and read the rest of this thread in peace. It will be interesting to hear them in 2001. I've spent a lot of time picking holes here, but I think theĬhameleons were an admirable band who could've achieved a lot more. The pre-first album tracks really motor (better drummer). ![]() I probably play Strange Times more than any other Chameleons album,Īlthough I have a soft spot for 'The Fan and the Bellows'. Really care unless lyrics are REALLY bad. 'Heaven and Hell' cliches for me, but it's not a big deal as I don't ![]() I'd exempt 'Strange Times' from this criticism -īurgess's lyrics aren't great - too much 'Pleasure and Pain' / Vinyl, so I'd be interested in hearing whether CD sound has improved It often sounds like there are some great It'sĭifficult to make something with so many layers of flange and echo The production is often dodgy, especially the second album. When it works ('Up the DownĮscalator', 'Thursday's Child', 'Nostalgia') it's usually because I find that the Chameleons often walk a thin line between manneredīludgeoning and thrilling power.
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